A weirdly wonderful multilayered monster mash just stomped into cinemas. And it’s not Godzilla.
⭐ ⭐ ⭐ ⭐
Gloria’s (Anne Hathaway) seemingly cushy life is unravelling at the seams. She simultaneously loses her job and is dumped by her boyfriend (Dan Stevens) due to her unhinged alcoholism and general reckless disregard towards life, forcing her out of his New York apartment and back to her hometown. Here she reconnects with old school friend Oscar (Jason Sudeikis) who helps her to get set up and begin rebuilding her life. Unexpectedly, news reports of a giant monster destroying Seoul suddenly surface, and Gloria eventually comes to the realisation she is connected to and in control of it, and that her pointless life may in fact have a huge effect on the world.
The lawsuits surrounding it suggested otherwise, but Colossal is wholly unique. Godzilla’s parent company’s attempts to sue for plagiarism wound up unsuccessful, and rightfully so, as writer-director Nacho Vigalondo’s (Open Windows) kaiju comedy is about as far away from your typical monster mash as it gets. It’s pretty damn near unclassifiable in fact; marketed as a sort of quirky indie romantic comedy (with city-levelling creatures), it’s all of these things and none of them.
Instead, Colossal constantly subverts expectations and continually takes surprisingly dark turns, winding up a metaphor-heavy meditation on the consequences of alcoholism, violent behaviour and harbouring ugly, hate-filled feelings. There’s a colossal amount of substance to chew on here (pun intended), and a tight-knit cast of deep, complex characters who range from (and slide between) sympathetic and truly detestable. Vigalondo’s most innovative move is keeping the human drama front-and-centre; this element winds up far more chaotic and destructive. Huge spectacle is avoided unlike any other creature feature, making the stakes much more intimate yet concurrently grand in ramifications; like every approach to the film it’s unusual, but it’s massively absorbing madness.
Anne Hathaway, who, after her Oscar win became the subject of a strange amount of hate, looks set to shrug off that career slump she’s been stuck in the past few years. Gloria is deeply flawed and very much her own worst enemy, but Hathaway gives her charm and humour that makes it easy to flip instantly between laughing at her situation and pitying it. The desire to see her better herself is always there, and she’s giddily watchable as she attempts to work out why her inner demons have manifested themselves as a literal monster.
Surprisingly though, it’s Jason Sudeikis who’s given the real meaty stuff to work with. Smug jerks are his specialty, but here he’s on an intense new level that steers much of the film’s unpredictable turns and shocking revelations. It’s difficult to discuss without giving too much away, but it’s very likely the best performance he’s ever delivered.
Though it won’t break the box office like its kaiju kin, it deserves that kind of recognition; it’s enormously creative, monstrously original and colossally entertaining.
Colossal is available in Australian cinemas from April 13
Image courtesy of Transmission Films