Continuing a grand tradition of romantic comedies, Ali’s Wedding is heart-warming fun.
⭐ ⭐ ⭐ ⭐
There’s something distinctly comforting about Ali’s Wedding. Maybe it’s the adorable way its leads hold pinky fingers and share tentative kisses. Perhaps it’s the fact that it presents its themes of oppression and family with tenderness and understanding. Or it could just be that it recalls some of my favourite comedies like Bend it Like Beckham and Muriel’s Wedding. Regardless, I found it impossible not to fall in love.
Ali’s Wedding follows the titular Ali (Osamah Sami), the son of a local Muslim cleric, as he first fails his medical entrance exam and then proceeds to cover that up with hilariously disastrous consequences. As that lie spirals out of control, Ali also manages to fall in love with Dianne (Helana Sawires), get engaged to Yomna (Maha Wilson), and play the lead in his mosque’s annual musical. To its credit, the film manages to juggle all of those scenarios excellently, presenting them with a warmth and charm that invites the audience into its world.
And it’s quite remarkable how well the film does that. From its first frames, Ali’s Wedding is firing on all cylinders to endear itself to you. Even potentially horrific moments are depicted with such finesse that they feel necessary and appropriate. Like its characters, Ali’s Wedding takes those events and allows them to inform a kind and loving worldview. There is pain at the centre of this story, but the film always remembers to let a ray of light shine through as well.
That’s important too, considering the subtext of the film. All but one of its characters is a devout Muslim, and the film doesn’t shy away from the realities of that. Dianne’s father serves this purpose particularly well as she both respects and bristles at his hard-line views. Presenting a balanced portrayal of those beliefs is difficult, but the film’s empathetic approach goes a long way towards selling the conflict to outsiders. Like Bend it Like Beckham, Ali’s Wedding sees the humanity behind its authority figures. Dianne’s father isn’t an evil man, he’s just following his faith and trying to protect his only daughter.
The lead performances are a huge part of that humanity as well, contributing a lot to the heart of the film. Sami is sincere, bright-eyed, and adorably charming as Ali, while Sawires is just as wonderful in her portrayal of Dianne’s carefully constructed defensiveness. Together, their chemistry anchors the film amidst the colours and noise of the Muslim community.
There’s a scene towards the end of the film where Ali’s father tells him that he is and always will be loved, regardless of his mistakes and the pain he has caused. To me, that’s key to the appeal of the film. An array of bright colours and awkward humour can’t substitute for real heart, but Ali’s Wedding has all three in spades. Its warmth and tenderness are beautifully realised and help to entice the viewer into a world they may initially be wary of. It is part of a much larger history of Australian and British comedies – there are comparisons to be made with even The Castle – and it slots in perfectly next to some of the greats. With luck, we will continue to see its core talents for years to come.
Ali’s Wedding is available in Australian cinemas from August 31
Image courtesy of Madman Entertainment