In a post-apocalyptic Australia, Martin Freeman plays Andy, a man roaming the outback desperate to find sanctuary for his daughter before he turns into a zombie. Along the way, he encounters Thoomi a young girl who agrees to help Andy if for nothing more than the company in a vastly decreasing population of unaffected people.
⭐ ⭐ ⭐ ½
Cargo, from first time filmmakers Ben Howling and Yolanda Ramke, follows the story of Andy as he desperately tries to make his way across the outback in a post-apocalyptic Australia to try and get his one-year-old daughter to safety before he succumbs to a zombie virus. Along the way, he meets Thoomi, a young girl who is to protect her zombified father from being killed and who may just be able to help lead him and his daughter to safety.
Zombie films are hard sells nowadays, and a zombie film in the outback an even harder one. With the ever growing list of zombie franchises such as the popular TV series The Walking Dead, iZombie and Santa Clarita Diet, and the endless Resident Evil films, not to mention the standalone films Night of the Living Dead, Dawn of the Dead, Shaun of the Dead and World War Z (just to name a few), there are few angles left to take.
Surprisingly, Cargo manages to carefully straddle the line between formulaic and unique to present a film that is recognisable enough in its themes and plot for audiences to understand they’re watching a zombie film, but its careful characterisation and location choice ultimately present a different take on the whole zombie epidemic.
Martin Freeman is brilliant as the helpless Andy who’s just trying to keep his family safe. His paternal protectiveness of his young daughter Rosie is his drive throughout the entire film, and is played to such precision that it gives the whole film purpose, that is often missing from traditional zombie films. Newcomer Simone Landers is wonderfully strong and insightful as Thoomi. Her powerful belief in her culture’s traditional rituals is never portrayed as naïve but instead is a sliver of hope in a largely doomed world.
Ultimately this film isn’t about a zombie-virus invasion or white vs. Indigenous culture; it is simply a story of survival, where the outback is no longer a dangerous environment but actually a sanctuary, and where the people remaining are trying to survive in any way they know how. Whilst the film contains the necessary drone shots of the Australian outback for the international viewers, it portrays the outback in a completely different way as well, almost as Australians see it rather than something to be feared.
I’d definitely recommend giving this film a watch, if not for a different take on Australian culture in cinema or a unique offering to the zombie genre, then at least for Martin Freeman owning this role like a boss.
Cargo is available in Australian cinemas from May 17
Image courtesy of Umbrella Entertainment