Trauma-inducing, nerve pounding, soul shredding satanic fun for the whole family.
⭐ ⭐ ⭐ ⭐
When the reclusive grandmother of the Graham family passes away, strange things begin to happen to her descendants. Her daughter Annie (Toni Collette) attends support groups where she reveals the troubles her family has faced and her strained relationship with her son Peter (Alex Wolff). After a bid to get her introverted daughter Charlie (Milly Shapiro) socialising more with Peter ends in another horrific demise, Annie’s family deteriorates further. Much to the disdain of her sceptical husband Steve (Gabriel Byrne), Annie attempts to communicate with her daughter through séances, and in the process unravels some dark and terrifying secrets about the Graham family ancestry.
It’s often interesting to reflect on the marketing campaigns behind independent horror films. Looking back at the trailers for first-time feature director Ari Aster’s Hereditary makes it seem like an event packed to the brim with moments designed to make viewers jump out of their seats – in other words, a mainstream horror crowd. In reality, there’s approximately one, maybe two jump scares total in Hereditary. Those more accustomed to independent horror will likely expect the slow burn and favour of disturbing imagery over things going bang, while a more casual viewer could be in for an unexpected shock. In that sense, perhaps the marketing team behind Hereditary are geniuses; deliberately misleading a larger crowd into seeing a film that will truly disturb and rattle them to the core.
Aster’s jaw-dropping debut is a difficult beast to define. In some senses, it feels like a patchwork threaded together from things we’ve already seen; there’s the haunted house sensibilities and ritualism of mainstays like The Conjuring and Insidious, and the oppressively patient atmosphere and satanic phenomenon of A24’s last horror hit, The Witch. But uniquely, Hereditary feels only half of a horror film; it builds immense tension doubling as a distressingly dysfunctional family drama.
At the film’s beating heart is the great Toni Collette, who goes against her quirky mum type from the likes of Little Miss Sunshine and United States of Tara. Here she’s one monster of a matriarch, making herself deeply sympathetic as she copes poorly with the agony of losing both her mother and daughter, while simultaneously revealing herself as terrifyingly unstable.
As is usually the case with films like these, it’s best entering Hereditary knowing as little as possible about what’s about to unfold. It’s yet another stunning debut from a director to watch, and another triumph from the ever-creative A24.
Hereditary is available in Australian cinemas from June 7
Image courtesy of Studiocanal