While 1% boasts some strong performances, its unremarkable story fails to live up to its high-octane setting.
Shot right here in Perth, 1% is a crime drama set in the underworld of Australian motorcycle club gangs. It follows Vice President of the ‘Copperheads’ Paddo (Ryan Corr) who has been leading the group while President Knuck (Matt Nable) has been behind bars. As Knuck nears release from prison, Paddo’s younger brother Skink (Josh McConville) puts him in a compromising position that threatens his loyalty to both Knuck and the Copperheads. Paddo must decide how to solve his dilemma before he loses everything he’s worked for.
Corr does well in expressing the conflicting emotions of a man constantly having to weigh up his loyalties and juggle his relationships. The film continuously puts Paddo between a rock and a hard place, and Corr did a good job of earning my sympathy towards his character’s situation.
Another standout is Aaron Pedersen (Goldstone) as Sugar, the President of a rival gang. His screen presence is like a breath of fresh air and it’s disappointing that his role was reduced to just a few scenes. Pedersen has a natural charisma and I love seeing his career expanding. I’ve only known him to play good guys, but I was pleasantly surprised to see how well he could take on a more villainous role.
What brings it all down is the story. One of the major flaws of the film is that all the conflicts are caused by one character: Paddo’s brother. Literally everything he does is a mistake that ends up causing more grief for Paddo. His role is essentially the only driving force moving the story along. Every scene he’s in made me roll my eyes because I knew he was going to do something wrong and then the film would try to resolve it. It became repetitive and boring.
There’s also some really questionable events. Without giving too much away, there’s a subplot with Knuck’s character that makes absolutely no difference to the story. And the final act has one of the strangest standoffs I’ve seen in a long time.
1% tries its hand at being a gritty Australian crime drama, but it’s let down by its thin narrative. The film is entirely carried by its performances, which are the only real reason you should go and see the film.
1% is available in Australian cinemas from October 12
Image courtesy of Icon Film Distribution