Bonjour Perth! The 28th annual French Film Festival is in town for the next few weeks screening at Cinema Paradiso, Luna on SX and The Windsor. We sampled a few of the films on offer.
Riding on a crest of environmental documentaries comes Tomorrow: a passionate, yet humble look at the positivity global contamination can bring.
⭐ ⭐ ⭐ ⭐ ½
You know how the Western genre has become so saturated that, to stand out, it has to come with unique selling points? Like, look – it’s cowboys and aliens! The Environmental Documentary has more or less reached a similar crisis, with each new film threatening to re-tread what the other has said. It’s no longer enough to complain about fossil fuel emissions and global warming – a new angle is required.
Tomorrow provides that angle. Helmed by Mélanie Laurent and her filmmaking comrades, this immensely informative documentary shifts our attention from a dying Earth to a world that can be rightfully repaired and re-energised through solidarity, networking, and positive thinking. It’s great that more households are converting to solar power, but is that enough? Tomorrow posits broader change, change that is already happening in towns and cities throughout the globe. Urban families are micro-farming. Counties have introduced self-contained currencies to benefit small businesses. Schools in Finland place education ahead of status, and their children are better for it.
All this is meant to be encouraging instead of disheartening, and it is. Tomorrow makes me want to convert my backyard into a vegetable garden. It makes the microcosm I live in seem unclean and harmful, and that I should do something to purify it. Leo DiCaprio’s Before the Flood told us what the billionaires are doing. Tomorrow is a bit different – it’s about you and me, and the good we can do from the ground up.
Rebecca Zlotowski’s supernatural period drama offers a wonderful respite for insomniacs.
⭐ ⭐ ½
Planetarium follows two American sisters who are believed to possess the supernatural ability to communicate with ghosts. Laura (Natalie Portman) and Kate (Lily-Rose Depp) Barlow, cross paths with André Korben (Emmanuel Salinger), an eccentric French filmmaker, while performing their travelling séance roadshow in pre-WWII Paris. Captivated by their ethereal connections, Korben invites the girls to live with him while they produce a movie centred on their show, but his interest soon transforms into something a little stranger and disconcerting.
Much like the séances it depicts, Planetarium is a vague and obscure dreamlike ritual that disentangles itself from the anchor of time, stretching two hours into what feels like a bottomless eternity. Maybe this elongated, formless structure is intentional; it could mirror Laura and Kate’s ambling and directionless lives or – at a stretch – the lingering limbo of European geopolitics on the eve of war.
Whatever director Rebecca Zlotowski was aiming for with Planetarium, I don’t feel like much of it congealed into a cohesive whole. There is a collection of interesting ideas here; the middle act transforms into a strange pseudo-sexual experience with Korben supposedly navigating beyond the veil to meet with his deceased wife while using Kate as a vessel.
But a lot of these ideas hang in isolation, disconnected from other ideas that waft gently in and out of the film. It certainly doesn’t help that both Portman and Depp are so reserved in their performances; distanced from genuine warmth or deep emotion. We could have had something special on our hands, if only the rest of the film was as captivating as the production and costume design.
In Bed with Victoria
A quirky concept tackled in a completely mundane way.
⭐ ⭐ ½
Struggling to raise two daughters while being embroiled in two court cases, one of which involves exposing her own personal life, Victoria Spick (Virginie Efira) is attempting to juggle her personal and professional life.
What could have been a humorous and completely original film about an attempted murder case with the only witnesses being a dog and monkey – which actually does happen – In Bed With Victoria wastes too much time on romantic storylines, tarot readings and other things I’ve now instantly forgotten.
Like all films focusing on lawyers, the most interesting and intense moments are the court scenes, and although rarer than I would have liked, they show the same clinical function and form that I’ve come to appreciate. Even when it’s just a friend of Victoria’s defending her in court against allegations of colluding with a witness, the delivery is passionate yet sensible. An appropriately slow scene with Victoria enduring the end of her case after overdosing on drugs shows exactly what In Bed With Victoria should have simply been about. A stressed woman handling a peculiar court case. Nothing more.
Though tolerable with a few funny lines, In Bed With Victoria’s characters and storylines are far too basic and plodding for me to think about recommending it to anyone.
Images courtesy of the Alliance Francaise French Film Festival
In Perth from March 15 to April 5: https://www.affrenchfilmfestival.org