One of the most anticipated comedies of the year; three Hooked on Film reviewers previewed James Franco’s new film The Disaster Artist, and this is what they thought.
⭐ ⭐ ⭐ ⭐ ½
The Disaster Artist is the true story behind the best worst movie known to man – The Room. Dubbed the “all-conquering cult leader of bad movies,” by our own Rhys Graeme-Drury, The Room is a film that has to be seen to be believed. Hilarious, insane, and awe-inspiring, you will think it can’t get crazier, immediately before it tops itself for the tenth time. Astonishingly, the story of its creation is even weirder.
The centrepiece of The Disaster Artist is undoubtedly Tommy Wiseau (James Franco) – the director of The Room and the world’s greatest source of unintentional comedy. A living, breathing rejected Men in Black design, Wiseau is a comedic gift from the heavens. If it weren’t for the pre-show interview, you’d swear he couldn’t be real. Franco is phenomenal in his dedication to the role, mining comedy from even the simplest of interactions. His brother, Dave Franco – playing straight-man Greg Sestero – is equally good, but is overshadowed by the sheer comedic force of Wiseau’s visage.
The Disaster Artist wrings comedy gold from Wiseau’s very existence. James Franco’s performance is a hysterical character study of a man who remains one of the greatest mysteries of our era. When a simple football kick can raise the house, you know you’re watching something special. The perfect follow up to a perfectly imperfect film, The Disaster Artist is easily one of the best comedies of the year.
⭐ ⭐ ⭐ ⭐ ½
The best thing about The Disaster Artist, I found, wasn’t that it is hilarious and ingeniously referential, which of course it is – it’s that the film melds elements of parody perfectly with shades of sincerity, in the process forming a well-rounded package that is captivating, strange, emotional and uplifting, sometimes all in the same scene.
This isn’t just James Franco, his brother and some of their mates (Seth Rogen plays a script editor, Zac Efron makes an appearance) pointing and laughing at Wiseau and his abominable cult classic. No, there is authentic affection and earnestness ingrained in Franco’s film; a wholesome genuineness about it.
The prologue, which sees a host of famous faces including Kristen Bell, Adam Scott and J.J. Abrams, take time out of their schedule to gush about The Room, sets the scene perfectly; this isn’t mean-spirited or heckling Wiseau, it’s a sonnet overflowing with affection for everything from terrible cult cinema to those who chase their dreams and fall through the cracks. The screenplay, penned by Scott Neustadter and Michael H. Weber, preserves Wiseau’s eccentricities, keeps the narrative tight and ensures the focus remains firmly on his relationship with Sestero and their shared dream of making it big.
⭐ ⭐ ⭐ ⭐
As the age-old expression goes, what else is there left to say that hasn’t been said already? The Disaster Artist is everything a great comedy does and everything that a sincerely heartfelt film can be. However, more importantly, it’s a film that ultimately acts as a tale and tool for inspiration.
Whilst you can laugh (as almost everyone has done so) at Wiseau’s foolish antics and absurd aspirations for his life, we are given a chance to respect his endless pursuit for his dreams amongst the numerous obstacles in his way. It can be as simple as making a pact, or rather a pinky promise, between a friend, and never failing to protect that asseveration.
It’s about following the path of enduring the pain, where everything around you is telling you you’re wrong and the courage to continue to following it. This is why Tommy Wiseau and Greg Sistero are beacons of hope. Life will not always turn out the way you planned it, but if you want it strongly enough, it will be exactly how you need it. So, fail spectacularly and become a global sensation: that is the story of The Disaster Artist
The Disaster Artist is available at Luna Cinemas from November 30, Australia wide December 7.
Image courtesy of Roadshow Films 2017.